Who is vesuvius band




















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Modulating episode measures — : This episode serves as a transition between the A and B sections of the work. The texture is active, but make sure that all parts marked mp or softer remain in the background so that foreground events can be heard clearly. For example, in measures — the dialogue among the tubas, first clarinets and first flutes must project clearly. In measures —, the special effect played by the timpanist is a subtle one, and it should remain in the background. Section B measures — : The tempo relaxes slightly, establishing a quiet oasis.

Theme 3, which is introduced by the oboe, must not be overshadowed by its accompaniment. The bowed vibraphone passages that occur throughout this section may be played by one or two players, and are in effect somewhat subliminal, adding only a hint of an ethereal quality. In measures —, make sure that the melody flute 1 sounds in the foreground.

Do not overstate the crescendo in the brasses in measures — Their dynamic peak is only mf. Transition measures — : The change of mood and mode is abrupt and dramatic as a furious canon interrupts without warning, and recalls the fiery energy from the beginning of the work. The passage builds in intensity, punctuated by occasional tutti shouts measures and , and explodes into a climactic return of the main theme.

The ratchet passages are crucial to the overall frenzy and must be played as loudly as possible on a good instrument. At measure , Theme 1 woodwinds is pitted against Theme 2 brasses. At first they are equal in importance, but as the repetitions continue, Theme 2 wins the struggle and builds to another passionate tutti shout in measure , and then recedes. Section C measures — — the struggle intensifies. Another battle begins in measure as Theme 4 horns, trombones, euphoniums is pitted against Theme 3 alto saxophones, trumpet 2.

The texture grows increasingly complex as other instruments join the struggle e. The conductor should ensure that all these textural elements are heard distinctly. The canon builds to a massive explosion of sound in measure ; it is followed by a repeat of the battle that sounded earlier in measures — The Coda begins at measure — first quietly, then building to a state of extreme agitation.

The players seem to be on the verge of losing control as the tempo accelerates to a point of near chaos. A violent slam! Timpani plus large suspended cymbal to be placed on timpano head Note: All percussion parts require only one player each. Percussion 1 could be more easily managed by two players. Abracadabra 5 minutes, grade 3 Amazing Grace 5 minutes, grade 3 Amen! The Tyger 6 minutes, grade 6 Vesuvius 9 minutes, grade 4 Wild Nights! Acidic paper has been in widespread use since the turn of the century, and has become the bane of archivists, librarians, and others who seek to preserve knowledge intact, because it literally will self-destruct as it ages.

Some paper, only three or four decades old, already has become impossible to handle — so brittle it crumbles to the touch.



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